In Paris by day, sassy 1950s pop sounds with big strings and rich orchestral compositions meet sweet and delicate, romantic odes of today with acoustic guitar, brass and twinkling pianos. Then, as day turns to night, the haze of Gauloise cigarettes fills an underground jazz bar where, in the corner, brushed jazz drums cascade, double bass swoons and the pianist’s hands dance and skitter dextrously across the keys. Thanks to modern production and songwriting, A Weekend in Paris successfully pays homage to this quirky antique Gallic charisma but with a versatility and sound quality that is fresh and current.
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